An architectural fabric projection that provides weather protection, identity or decoration and is wholly supported by the building to which it is attached. An awning is comprised of a lightweight, frame structure over which a cover is attached.
An architectural projection that provides weather protection, identity Of decoration and is supported by the building to which it is at and at the outer end by not less than one stanchion. A canopy is comprised of a lightweight frame structure over which a cover is attached.
A moveable awning that rolls or folds against a building Of other structure by which it is entirely supported.
The major elements of an awning-system design are:
An awning and canopy purpose would satisfy any one or all of the followingfunctional objectives: energy savings; weather protection (sun, rain, snow, sleet, hail, wind),identification, or aesthetics (architecture).
Style, Configuration, Color
Most awnings and canopies consist of fabric stretched over and secured to afixed metal frame that is secured by laces or screws. These frames may be welded,bolted or otherwise connected. Other awnings and canopies that consist of indi- vidual fabric panels can be attached using the staple-in method. Still other awningsand canopies consist of rollers and lateral arms that can be retracted manually orautomatically. It should be noted, however, that the possible combinations of styles,configurations and colors are limitless.
We have adopted standard names for awning and canopy styles, which areshown below with the representative designs.
The size of an awning is determined by its length, width and projection fromthe building to which it is attached. Other aspects of size include clear height(underneath), rise (pitch) of roof and post or rafter spacing. These features areusually important to those involved in the planning and review process.
The fit of an awning is determined by the interfacing of its frame with otherconnecting structures (most often a building, but frequently the ground or a concrete slab onthe ground). In the case of a building, it is important to coordinate theappropriate parts of the awning frame with structural members in the building sothat loads are transmitted properly.
The economy most directly affects customers and awning contractors. It is clear that anawning system should not have to meet the same code requirements as ahigh-rise building. However, in most cases, a code does strictly apply. In rare cases when it isnot expressly required, there is still a moral and legal obligation to installan awning that can withstand any foreseeable loads.
To develop an economicalawning system, the designermust understand how toarrange, size and connect struc-tural members so that the fore-seeable loads will be transmittedto its supports while incorporat-ing safetyfactors, without over-engineering the system.
The awning industry andbuilding and code officialsshould develop a working rela-tionship to better understandeach others’ needs. In addition,the industry members’ active involvement in implementing code changes is very important.The objectives should be to assurepublic safety and to avoid needless, expensive over-design.
Sound economical design does not necessarily result in the lowest first cost.
Except in rare cases, this is not a significant issue with modern awning andcanopy systems. In most cases, frame materials are non-combustible, and fabrics are flame-retardant. However, this point should be ascertained whenever appropriate,such as for enclosed walkway canopies and enclosed patio canopies.
The answer is not necessarily to require fire doors and sprinklers for these systems. Butthe building official does have the right (indeed the obligation) to design systems that pro- vide an open, safe and quick exit to the outside.
The average designer may havea concept of how beams and posts workstructurally. But to design a safe structure,one must fully understandstability issues. A structure comprisedof simple beams mounted on the top ofsimple posts is inherently unstable. Thismeans that the structure is susceptibleto falling down because of the number,arrangement and method of connection ofthe members.
Common post and beam structures,such as pole barns, are rendered stable by the addition of siding, roofing, “X”-bracing andfixed cantilevered footings.
Fabric has no in-plane stiffness; therefore, it does not replace, in an awning or canopy,the function that siding or roofing performs as in a polebarn. This in-plane stiffness, which is instrumental to thedevelopment ofstability, can usually be supplied bytriangulation of structural members.
Examples of triangulation are dem-onstrated as follows:
The important lesson to learn hereis that substituting larger beams orposts for smaller ones doesn’t solve theproblem of instability.
This involves the location, style and strength of connections from the awning or canopy tothe building or to its foundations.
Proper design of this element assumes a recognition of the amount of forceoccurring, and the direction in which this force acts, at the connection at the time that themaximum design load occurs on the frame.
Most common types of attachments involve bolt-through, expan-sion anchors, wood lag screws and adhesive anchors.
Bolt-through connections are preferable, when they are feasible,because the bolt and the nut are manufactured to controlled specifi-cations, and there is a wealth of data on the strengthprovided by such a connection. Such connections are not generally subject to site questions that are often associated with other types.
Expansion anchors are used to fasten awnings to concrete surfaces.They develop their essential strength by pressing hard against the sideof the drilled hole in which they are set. This pressure results in highfrictional resistance to pull-out.
While these kinds of anchors have been in successfuluse for a long time and may be well-manufactured, theiruse requires more good judgment than the use of a simplebolt-through solution. Obviously, when fastening to concretesurfaces, expansion anchors may be the only practical choice.
Wood lag screws are tapered to a point and do not utilize nuts. Theseare not as sound as bolt-through connections because they are sub- ject to pulling out as the wood surrounding their threads crumblesor chips. Their strength, then, is proportional to the hardness of the wood in which they are embedded.
In many awning applications that require fastening to wood framing, bolt-through con-nections are not possible and wood lag screws may be the best available option.
Adhesive anchors have been made available in recent years toprovide the awning installer a way to address field situations in whichthe preceding anchor types are not suitable. Examples of such condi-tions are veneer brick surfaces and fastenerslocated close to comers, where the high pressures associated withexpansion anchors will raise the risk of being pulled out. Adhesive anchors are bondeddirectly to the substrate by filling an oversized drilled hole, which contains the threadedfastener, with an epoxy adhesive. This system does not rely on pressure. A certain amount ofcure time may be required before the anchor can be loaded.
When anchoring awnings and canopies, the awning contractor is often attaching to exist-ing structures (building’s wall, roof, foundations, slab, etc.). Responsibilities for assuring thatthese structures are safe for the additional loads imposed on them must be properlycoordinated.
Proper anchorage is the single most important structural quality of an awning design.
After a stable configuration has been established for an awning design frame,members should be chosen for a strength consistent with the amount and type of stressimposed on them. The most common types of stress are tension, compression, bending andshear.
A common misconception about awnings is that they are safe as long as they don’t falldown. All code and engineering standards have long required that a safe design use membersthat are 1.67 to 2 times stronger than the yield strength required to satisfy the actual designstress. The yield strength is the strength at which the material no longer fully recovers toits original shape when the load is removed; the yield strength is usually significantly lowerthan the ultimate strength. Thus, it can be immediately recognized that a “safe” structure isstressed well below its breaking strength when it is exposed to its maximum design load.
Provisions must be made to drain water off an awning or canopy. Fundamentally, thisinvolves establishing a steep enough pitch, properly spaced bows or rafters, as well as main-taining a taut fabric, so that draining water or melting snow cannot cause the fabric to sagand collect water on the surface. Lack of proper attention to this detail can result in poten-tially large gravity forces on the frame and anchors.
The overall success of a commercialawning may hinge on the design of its graph-ics. A variety of methods are usedto apply graphics to awnings, screenprinting, painting, cut out lettering, appliqué,heat color transfer, pressuresensitive graphics and eradicating. Local codesand ordinances may dictate the size and othercharacteristics of this feature.
Frame systems are recommended bythe manufacturer, according topersonal preference and regional “norms.”Frames are joined by special fittings or welding, according tomanufacturer recommendations andregional variations.
A fixed awning’s frame cannot bedeployed from a stowed position and vice versa. A moveable awning can bestowed against the building to which itis attached. The standard lateral arm anddrop arm awnings are examples of move-able awnings.
Fabric awnings and canopies can meet various design needs. Many modern fabrics arelong-lasting, bright, easily cleaned, strong and flame-retardant. Modern frame materials offerhigh strength-to-weight ratios and corrosion resistance. The proper combination of theseproperties can result in safe, strong, economical and attractive products.
On Southern facing windows, a fabric awning reduces heat gain by 55 to 65percent. For western exposure, the reduction in heat gain is 72 to 77 percent.The exact amount of heat reduction depends upon several factors, including theexposure of the window, the color and type of fabric and the style and placementof the awning.
These systems afford protection from the sun, rain, snow, sleet and hail. In certain con-figurations, they can also protect from wind.
Applying graphics directly to awning fabrics provides identification and/or advertisement without the need for “add-on” sign structures.
Creative designers and architects can develop useful and intriguing designs for modern awning and canopy systems that incorporate shape, light, color, texture,graphics and structure, at modest cost. Most awning frames are custom made bycutting, bending and welding metal tubing, and fitting the fabric to the frame. With thesecustom methods, almost any shape and size can be attained and covered with awning fabric.Hence, the same surface can serve at least three necessary functions: weather protection, iden-tification and architecture.
Loads for which awning and canopies may need to be designed can be categorized as fol-lows:
This is the self-weight of the awning or canopy frame, fabric and hardware. This loadmust always be included with other design loads since it is always acting on the structure.For instance, if one were designing an awning for 20 psf snow load, and the structure it self weighed 2 psf, then the design for snow should actually account for 22 psf total load.
This load, as well as snow load, are usually the most critical loads on awningsand canopies. Important aspects of wind load are:
Required design snow loads are established by maps published in the building code. Asin the case for wind, sometimes local requirements are more stringent. On the other hand, inmany localities there is no requirement for snow load design. Check with the local depart-ment of building and safety.
Some important considerations about designing for snow are:
The beginning point for snow design, this is the pressure of the designed snow load occur-ring at ground level.
This is a general category for the amount of protection from the wind that is afforded by the surrounding environment. Consult with your local building codesfor requirements.
This is the design load occurring at the actual roof level, and results from factoring theground snow load by a coefficient accounting for exposure and height. Many times the flatroof snow load can be as little as 0.6 or 0.7 times the ground snow load. For example, thesnow map or the code may indicate a 20 psf ground snow load; the actual design pressurerequired for an awning may be as little as 12 psf.
Building codes require that the phenomenon of drifting snow be accounted for in thedesign of roofs; this includes awnings and canopies. While it is beyond the scope of thispublication to discuss this in detail, the effects of drifting snow canbe significant. The codes describe the procedure for designing with snow driftingin mind.
See discussion under Wind Load.
These are loads that are associated with the forces related to human occupants,furniture, equipment, etc. Since these loads are movable, the live load stipulationis an allowance for the most severe anticipated condition or case. Common coderequirements for roof live loads are from 12 to 20 psf. Provided that the case ofponding water is properly addressed, live loading is not a practical requirement inthe design of awnings. Some codes do not require a live load design, and othersgreatly reduce the requirement.
Addressed elsewhere in this publication, this is a potential load on an awning or canopyand must be addressed in one of several ways.
These are loads due to earthquakes or earth tremors. The design process forearthquake loads is also too elaborate to be included in this publication.
However, awnings and canopies tend to fare well in earthquakes for the following reasons:
The range of modern materials available for awning or canopy designers is impressive.
The following is a brief overview of the more popular choices for fabric and framing in the industry:
Awning fabrics commonly come in finished widths from 30 inches to 86 inches and weigh from 6.5 ounces to 42 ounces per square yard. Popular fabric types are:
Some of these fabrics are heat-sealable, which results in a water-tight joint(assuming that the fabric itself is water-tight). Other properties of interest to the designer are:
In most cases, primarily designed as a conduit for liquids or gases, pipe is sized by it’sinside diameter. The size designation is referred to as “nominal” size. Pipe is character-ized as having a relatively thick wall section of mild steel and is available black or hot dipgalvanized in 21’ lengths. It is easily welded, bolted or threaded and is adaptable to manyshop environments. It is functional but heavy and not necessarily highly aesthetic. It is eas-ily bent to designer shapes. Most hardware & fittings for use in frame construction aredesigned to work with Schedule 40 pipe.
Available in a range of wall thicknesses and shapes including round, square andrectangular as well as various yield strengths. It is easily welded or bolted. Thethinner wall section makes threading difficult. It is easily bent to designer shapes. Steeltubing is normally sized in outside measurements.
Manufactured with the same dimensions as steel pipe, it weighs only one-third as much.
This is available in a wide variety of shapes, sizes and tempers, with an array of advantagesand disadvantages in comparison to steel. Tubing measurements are described with outside dimensions.
Aluminum tubing is extruded into cross-sections that are used to connect fabricpanels to the face of the tubing. Connections are made stapling the fabric insidea groove that is filled with a pressure-installed weather strip/trim piece.
According to the U. S. Department of the Interior, National Park Service, HeritagePreservation Service, historic photographs from the nineteenth and early twentiethcenturies offer ample precedent for the use of awnings on windows, above storefronts and atentrances. Decisions on particular projects must be based on the circumstances of each build-ing, but as a general rule, in restoration projects, awnings are acceptable when the physicalevidence or documented research clearly shows they were once on the building and the his-toric appearance is being accurately restored. In rehabilitation projects, awnings maybe acceptable when they do not negatively affectthe historic character ofthe building.
As “Interpreting theStandards Bulletin” No.86-079 makes clear, awnings can in some cases so impairthe historiccharacter of a structure that denial of certification may result. However,historic photographs ofstreetscapes document agreat profusion of awnings. Awnings of many sizes,shapes, patterns and colorsranged from one building tothe next. Sometimesmore than one appeared on the same building. While careful scrutiny of awnings is justifi-ably part of the National Park Service review of tax act projects, care must be exercised inthis area not to substitute strictly personal preferences for professional evaluations of historic character.
When an awning or canopy is needed on a commercial building, its important to form apartnership with all or some of the following community partners: awningcompany, city engineer, city officials, architect and others.
Awning companies can be seen as the first source of information. They often have infor-mation about anchoring guidelines and the cost-efficiency of awnings. It is clear that anawning system should not have to meet the same code requirements as ahigh-rise building. However, a code does apply. There is a moral and legal obligation toinstall an awning that can withstand any foreseeable loads.
The architect, engineer and/or city official must understand how to arrange, size andconnect structural members so that the foreseeable loads will be transmitted to its supports while incorporating safety factors without over-engineering the system.
The above partners should develop a working relationship to better understand each oth-ers’ needs. Most awning companies are the experts in fabricating awnings, engineers and codeofficials are experts in permits, and architects experts in design. All parties are needed and can assist each other.
An architectural fabric projection that provides weather protection, identity ordecoration and is wholly supported by the building to which it is attached. An awning iscomprised of a lightweight frame structure over which a cover is attached.
An architectural projection that provides weather protection, identity or decoration andis supported by the building to which it is attached and at the outer end by not less thanone stanchion. A canopy is comprised of a lightweight frame structure over which a cover is attached.
A movable awning that rolls or folds against a building or other structure by which it isentirely supported.
4 – Bar
This is the term commonly used to describe a stripe in awning fabric. This is the approx-imate number of colored 4 inch stripes across the width of 31 inch fabric. The stripes are notexactly 4 inches, they are more like 3.8 inches. Since many fabrics are wider than 31 inchtoday, this term is used to describe the width of the stripe. Also known as a classic stripe.
Capacity of material to withstand wear due to friction, rubbing, or scraping.
Additional stress placed on rope due to increasing the velocity of load.
Generic term for manufactured fiber in which the fiber-forming substance is any long chain synthetic polymer composed of at least 85% by weight of acrylonitrile units. Made inboth filament and staple forms.
Attachment for installations onto masonry (including brick, marble, stone, stucco, etc.)or concrete. Ideal for use in anchoring to a variety of base materials ranging from soft com-mon brick to hard marble or granite.
Manufactured with the same dimensions as steel pipe, it weighs only one-thirdas much.
This is available in a wide variety of shapes, sizes and tempers, with an array of advan-tages and disadvantages in comparison to steel. Tubing measurements are described withoutside dimension.
This involves the location, style and strength of connections from the awning or canopyto the building or to its foundations.
A process used to improve corrosion resistance of aluminum and it’s alloys. The materialis cleaned, then immersed in a bath of acids. The metal is the positive pole, or anode, in theacid bath. A current is applied and oxidation occurs. After this process is complete and theitem rinsed, a second step or sealing treatment is applied. It is during this step that a chro-mate is applied, and various colors can be realized. This entire operation is also known as“two step anodizing.
Motif or design made separately, then sewn or affixed on a cloth or garment.
Small diameter cord used for attaching awning covers to a frame or structure; most com-monly a cotton, polyester or nylon with stretch resistant fiber core.
Plain weave with two or more warp and filing threads interlaced to resemble a plaitedbasket. Has flat look, porosity, and looseness or “give”. Can be very heavy or lightweight andmade of any fiber.
Attachment for installations mounted to a wall, or some other structure, where a bolt extends from one end of the wall or structure through the other side and securely fastened with a nut.
A narrow fabric, usually between 1 ⁄ 2 ”–1” wide, used as a trim. Common use is on the edgeof a valance to finish the cut edge of the fabric.
The measured load required to break a fabric or rope under tension; also called tensile strength.
An electro plating process which protects iron and steel. Salt spray tests indicate cadiumis superior to zinc in corrosion resistance.
A process of passing cloth between rollers (or “calendars”), usually under carefully con-trolled heat and pressure, to produce a variety of surface textures or effects in fabric.
Cotton, linen, or synthetic in heavy weights with an even firm weave, for sails and manyindustrial purposes. Awning stripe canvas has printed or woven stripes.
Fabrics that are coated are usually done so with a liquid or semi liquidproduct. Coatings can be urethanes, acrylics, PVC, neoprene’s, and many othertypes of substances.
The material rolls past a knife that acts to spread a liquid substance across the width of the fabric.
Dry chemical mixes are heated and mixed through an extruder and then passed through aroller or die to flatten and spread the substance across the width ofthe fabric.
A fabric where a liquid or semi-liquid polymer has been applied in firmlyadhering layers to provide certain properties. Examples of commonly used polymers are ure-thanes, acrylics and PVC. Many other polymers can be used to design fabricsfor a specific end use.
An awning configuration characterized by a series of parallel bows in the shape of a convex curve. It produces a radius shape with flat ends.
The general term that covers all rope, cord, lines, and string.
1. Number size of a yarn
2. Number of ends and picks per inch of a weave, or their sum,as 200 count sheeting.
This describes the condition of scratch marks on the surface of fabrics. These can occuras a result of abrasion or folding. It is usually a topical condition and does not affect thefabric’s performance except from an aesthetic point of view.
To bend, kink, curl or wave a fiber to give it more loft.
Rubbing off of color as a result of improper dye, poor penetration, or fixation.
Lettering or graphic elements that are cut out of a fabric and replaced from behind withletters or graphics of another material.
This describes the separation of the individual plies in a laminate. Laminatesare typically made of two or more plies that are fused together under combinationsof heat, pressure and adhesive. When a lamination comes apart, delaminationhas occurred.
Unit of weight indicating size of a fiber filament based on weight in grams of a standardstrand of 9,000 meters. The higher the denier number, the heavier the yarn. Used in connec-tion with silk, rayon, acetate, and most man-made fibers.
The forming of parts by forcing molten metal into metal molds. Castings made withthis process can be made to very exacting tolerance. Zinc and aluminum are most commonlyused.
The terms “RF (radio frequency) welding” or “RF heat sealing” are often used interchangeably with HF (High Frequency) or di-electric heat sealing or welding. When aDi-electric material comes into contact with an electromagnetic field, some portion of theelectromagnetic energy will go though a change of state and be dissipated as heat with theDi-electric. The degree to which this conversion of energy will occur is dependent on theatomic and molecular structure of the material the frequency of the electromagnetic field andthe field strength.
The term Di-electric heating correctly describes this phenomenon at any frequency whileRF or HF heating describes this process over the limited frequency range(1 to 200 megahertz).
In the case of RF or HF welding of thermoplastics the effective mechanismsproducing heat in the Di-electric are Dipolar and Interfacial polarization.
Fabrics can stretch and shrink in the warp, fill or bias directions, depending on the con-struction and/ or fibers employed. When a fabric is dimensionally stable, means that stretch-ing and shrinking have been controlled to a certain degree.
1. The hot or cold stretching of fibers to increase orientation and reduce size.
2. Process of repeated drafting of fiber slivers on a carding machine and doublingand redoubling of the slivers.
Electro Galvanized or Electro Plated
This is similar to Hot Dip Galvanized except the application process is different and thefinal appearance is smoother and brighter. Instead of dipping the metal intoa hot zinc solution, the metals are charged with positive ions and put into a negative ionsolution on the metal in a more uniform manner. An average plating thicknessis .0002.
Eradication involves eliminating with special chemicals, an existing color from a white vinyl fabric that has been pre-coated at the factory with eradicable inks.
Used to fasten awnings to concrete surfaces. They develop their essential strength bypressing hard against the side of the drilled hole in which they are set.
Dry polymers are heated and mixed through an extruder and then passed through aroller or die to flatten and spread the polymer across the width of the fabric.
The fundamental unit that makes up a textile raw material such as cotton or woven acrylic.
The yarns that run crosswise of the warp yarns in weaving.
A fabric or substance which has been treated so that it is absolutely imperviousto flame, and will not, under any circumstances, support a flame. Erroneously usedin reference to fire retardant goods.
Fire Retardant Finish
A finish rendering a cloth which will repel flame, or which will prevent thespreading of flame, or which will not support a flame. Usually tested for lengthof time it takes for a flaming portion of the cloth to extinguish itself.
This is a synthetic fiber noted for its resistance to sunlight and ulta-violetdeterioration. This material will not degrade in outdoor applications for an almost unlimitedperiod. Fabric attachments:
This is a property of fabrics where a machine will try to pull the fabric apart in oppositedirection in both the filling and warp directions. The resulting effort to dothis is measured in pounds.
A process whereby graphics are hand-painted directly on fabric.
A graphic process that utilizes heat and a vacuum applicator to adhere color to the fabric. Any number of colors can be applied simultaneously, as pigments and resins are embeddedinto the fabric.
Hot Dip Galvanized
This refers to a finish that is the result of metal being dipped into a hot solution of zinc to add a protective, coating to the metal. Awning iron and some malleable fittings have typi-cally been hot dip galvanized.
The ability of a fabric to resist water under pressure and is expressed in inches of watercolumn.
A lighting system placed behind the fabric structure causing the fabric to be illuminated.
The type of weave to be seen in damasks, brocades, tapestries, and othercomplicated cloths. Made n a Jacquard loom which provides mechanisms tocontrol the action of each warp yarn individually, if necessary.
It is different from weaving in that it uses a tying stitch to hold the other yarns together.Knitted fabrics typically stretch more than woven fabrics. Many of thesubstrates used in laminates are knitted because knitting is usually faster and, and therefore,less expensive than woven fabrics.
This is the most traditional technique of attaching a fabric cover to an awning frame.Grommets are placed along the edge of the fabric cover and then the cover is tied to theframe by lacing thin rope through the grommets.
Screws which are tapered to a point and do not utilize nuts. Their strength isproportional to the hardness of the wood in which they are embedded. In many awningapplications that require fastening to wood framing wood lag screws maybe the best available option.
Combine the above two definitions to read: Laminated fabrics are made of twoor more plies fused together under a combination of heat, pressure and adhesives. They arenormally constructed of a plastic top and bottom layer and an intermediate scrim layer.
Lateral Arm Awning (also see Retractable Definition )
These awnings resemble typical traditional triangular structures except they rarely haveend fabric panels and they include a manual or electric cranking system that allows theawning to be rolled up or retracted against the wall.
A load is anything that causes force to be exerted on a structural member.
Any fabric, knitted or woven, with an open texture, fine or coarse.
It is unlikely that any fabric can be rendered permanently mildew proof underall conditions “Mildew Resistant” is a more proper term. Usually refers to a treatment on acloth with various non-toxic chemical compounds that poison or discourage the growth ofmold and fungi. Effectiveness is directly proportional to the type of fungicide and the quan-tity of fungicide contained in the finished cloth (to the point of maximum potency). Thetreatment may be durable or non-durable.
Generic name established by the Federal Trade Commission for “a manufactured fiber in which the fiber-forming substance is any long-chain synthetic polymercomposed of less than 85% but at least 35% by weight of acrylonitrile units, except when itqualifies as rubber”.
This is a measure that tries to explain how a fabric reacts when it tensioned and relaxed.It is used to explain things like snow and wind loads, elasticity, memory, stretch and shrink-age.
A single filament of manmade fiber, used as yarn.
Any organic fiber such as cotton, jute, manila, sisal, etc.
Neither woven, knitted, nor spun. A material made of fibers in a web or mat held togeth-er by bonding agent.
Any of a family of high strength, resilient synthetic materials, the long-chainmolecule of which contains the recurring amide group CONH.
Cloths which have been finished by painting in solid colors or in assorted stripes. Thepaint is generally applied to the surface of the cloth from fonts as the rolls of cloth passunder them. Used for awnings, outdoor furniture, umbrellas.
The process of applying color to fiber stock, yarn or fabric
One of the three basic weaves. In plain weave, each filling yarn passes successively over andunder each warp yarn with each row alternating.
A synthetic fiber used for it’s strength and resistance to ultraviolet deterioration. It doesnot have the stretch and elasticity of nylon and, as a result, will often last longer.
A synthetic material from which fibers are formed. Usually composed of largemolecules (monomers) with each other.
This involves establishing a steep enough pitch, properly spaced bows or rafters,as well as maintaining a taut fabric, so draining water or melting snow cannot cause the fab-ric to sag and collect water on the surface.
Pressure-sensitive vinyl film is cut by hand or by computer to a desired design and thenadhered in the proper register on the fabric as decoration.
The effective long-term stress for which an awning is designed; the load in the awningthat results when the fabric is pulled tight on the frame. This stress exists in the awning fab-ric and acts on the frame, even when the awning is not acted upon by the service loads.
Polyvinyl Chloride. A polymer used for vinyl fabric.
RF Welding or RF Heat Sealing (see Di-Electric Welding
A movable awning that rolls or folds against a building or other structure by which it isentirely supported.
Similar to stencil work, except that a screen of fine silk, nylon, polyester or metal mesh is employed. Certain areas of the screen onto the fabric by a squeegee to form the pattern.Separate screens are used for each color in the pattern. More expensive than roller printing,but for limited yardage and more delicate designs, often moreeconomical. Graphic application method capable of printing great detail and color.
These are earthquakes or earth tremor loads.
Force that causes a body to shift away from the acting force where it is not supported.
The process in which the color (pigment) is added to the liquid “solution” priorto fiber formation. By being added during the liquid state, the pigment becomes an integral(inherent) part of the fiber resulting in improved UV resistance.
Spray-painting or air brushing
Hand painting made sophisticated as it can achieve color blending or shading plussharper edges by spraying inks on fabric.
As the name implies, this is a special steel alloy that is made more stainless than regularsteel, due to higher concentrations of chromium and nickel. Note it does not say stain proof.There are many grades of stainless steel, the more common being #304 and #316. #304 iscommonly used for wire forms, and #316 for investment castings.
Staple on Extrusions
The fabric is stapled into “slot” built into specially designed framing. The slots are thencovered with strips of vinyl trim.
The measure of the change in size of shape of a body under stress, comparedto its original size or shape. It is usually measured as the change (in inches) per inch oflength.
This material can be characterized as a relatively thick, round section of mild steel, withmanufactured foot lengths up to 24’-0”. It is easily welded, bolted and threaded, and isadaptable to many shop environments. It is heavy and functional.
Steel tubing is similar to steel pipe, but available in a range of wall thickness and shapes,including round, square and rectangular. It is easily welded or bolted, and can be obtained inhigher strengths than steel pipe.
The force-per-unit area.
The surface to which an awning frame is attached. A substrate also is a base fabric.
This is a property of fabrics where a machine will tear a strip of fabric across the warpand filling. The resulting effort to this is measured in pounds.
The coating intended for the front, side or top of a fabric or membrane.
The maximum strength under which an awning material is capable of sustaining a grad-ual and uniformly applied load.
Ability to retain strength and resist deterioration due to on from exposure to sunlight.
The yarns that runs lengthwise and parallel to the salvage in the machine direction of a woven or warp knitted fabric.
The use of the term in relation to treated cotton ducks is prohibited by the Fair TradePractices Act “unless the product shall be impervious to the passage of any water so long asthe fabric may endure”. Water Resistant is the proper designation for cloths treated to resist water penetration and leakage.
Water Repellent Finish
A finish either durable, applied to cloth which makes it relatively impervious to theeffects of water repellent finishes does not close the pores of a cloth.
The configuration of threads running perpendicular to one another. A plain weave places weft thread over the warp thread in sequence, then reverses for the next row of threads.
A sturdy fabric woven in narrow widths for use where strength is required as for seatbelts, head bands, etc.
The yarns that run crosswise of the warp yarns in warp knitting.
A strip of material seamed to a pocket opening as a finishing and a fabricstrengthening device.
A tape or covered cord sewn into a seam as a reinforcement or trimming.
A phenomenon that occurs when moisture accumulates at the edge of a fabric where sub-strate yarns may be exposed, or in sewn seams where threads come incontact with the substrate and moister is absorbed into a fabric.
The property of a fiber that allows moisture to move rapidly along the fiber andpass quickly through the fabric.
Working Load (Or working strength) is the weight in pounds that is safe working conditions. It is applied to new rope in good condition with appropriate and only under normal service conditions. Where dynamic loading may occur, mended working load should be adjusted accordingly.
Fabric composed of at least two sets of yarns; sone warp (longitudinal) and (crosswise), laced at right angles to each other.
Source – IFAI
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